Rua - Series 2 Ngā Tae reveals wonderful insect characters in full colour. Vibrant illustrations present the challenge of guessing in both Te reo Māori and English Learn colours and insects in Te reo Māori and English Edited by Reo Māori experts Fern Whitau and Kirsten Jerram Bilingual English and Māori text on every page Everyday sentence structures used repetitively New words on each page build vocabulary Phonetics guide and picture glossary Handcrafted illustrations paired with well considered design

Bind: hardback

Pages: 22

Dimensions: 147 x 185 mm

Publication Date: 11-03-2017

Seabirds Beyond the Mountain Crest tells the fascinating story of New Zealand’s endemic Hutton’s shearwater, a species that breeds only at two remote locations, high in the Kaikoura Mountains. Amateur ornithologist Geoff Harrow is the person most closely associated with the story of Hutton’s shearwater, for it was Geoff who discovered the two remaining nesting sites in the 1960s. For five decades he visited the mountains whenever he could to observe and record the birds, and to encourage the Department of Conservation and its predecessors to take steps to conserve this endangered species. As a result, scientist Richard Cuthbert was to spend three years living with 200,000 Hutton’s shearwaters and their neighbours, studying their behaviour, observing their interactions, measuring and recording facts and figures to build a detailed picture of why and how these birds had survived. The discoveries over time of Richard and his co-workers turned received wisdom on its head and revealed a whole new predator story. Richard’s beautifully written, witty account – of the challenge and exasperation, the heartbreak and hardship, and the sheer joy of conservation fieldwork in a remote environment – is beautifully interwoven with other fascinating stories – of the ‘discovery’ of the species by nineteenth-century scientists and collectors, and Geoff Harrow’s discovery of the nesting grounds and subsequent long involvement with this species. Seabirds Beyond the Mountain Crest is a delightful and highly entertaining read.

Bind: paperback

Pages: 220

Dimensions: 170 x 240 mm

Publication Date: 14-08-2017

In 1966 Michael Illingworth, whose oil painting Adam and Eve appears on the front cover of this book, was awarded the inaugural Frances Hodgkins Fellowship. For the first time in New Zealand a practising artist was given a studio and paid a salary to make art for a whole year. Such support, as Frances Hodgkins herself wrote from her own experience, was capable of ‘yielding up riches – undreamed of’. Poet and critic David Eggleton has described the fellowship as ‘an emblem of cultural endeavour which … holds a legendary status in the public imagination’. The initiative and much of the early funding for the fellowship is thought to have come from poet, editor and arts patron Charles Brasch, and it was set up by the University of Otago Council. Fifty years later, the Frances Hodgkins is still going strong, one of five arts fellowships offered through the University of Otago’s Humanities Division. This sumptuous book brings together the art and the stories of half a century of Frances Hodgkins fellows. Arts commentator Priscilla Pitts writes about their work, while journalist Andrea Hotere interviews the artists about their lives and sources of inspiration. The result is a vibrant celebration of a wealth of talent fostered through New Zealand’s foremost visual arts residency, showing how the artistic wealth created has flowed back into the culture of the small country that nurtured it.

Bind: hardback

Pages: 224

Dimensions: 220 x 280 mm

Publication Date: 11-09-2017

Phoney Wars looks at the lives of New Zealanders during the greatest armed struggle the world has ever seen: the Second World War. It is not a political, economic or military history; rather it explores what life was like during the war years for ordinary people living under the New Zealand flag. It questions the war as a story of ‘good’ against ‘bad’. All readers know that the Axis powers behaved ruthlessly, but how many are aware of the brutality of the Allied powers in bombing and starving ‘enemy’ towns and cities? New Zealand colluded in and even carried out such brutal aggressions. Were we, in going to war, really on the side of the angels? Contrary to the propaganda of the time – and subsequent memory – going to war did not unite New Zealanders: it divided them, often bitterly. People disagreed over whether or not we should fight, what we were fighting for and why, who was fighting, who was paying, and who was dying. In this provocative and moving book, Stevan and Hugh Eldred-Grigg explore New Zealanders’ hopes and fears, beliefs and superstitions, shortages and affluence, rationing and greed, hysteria and humour, violence and kindness, malevolence and generosity, to argue that New Zealand need not have involved itself in the war at all.

Bind: paperback

Pages: 424

Dimensions: 170 x 240 mm

Publication Date: 13-10-2017

Everyone knows Australia was once a penal colony, but few realise that New Zealander prisoners were sent there. During the mid-nineteenth century at least 110 people were transported from New Zealand to serve time as convict labourers in the penal colony of Van Diemen’s Land (Tasmania). Even more were sentenced by colonial judges to the harsh punishment of transportation, but somehow managed to avoid being sent across the Tasman Sea. In examining the remarkable experiences of unremarkable people, this fascinating book provides insights into the lives of people like William Phelps Pickering, a self-made entrepreneur turned criminal; Margaret Reardon, a potential accomplice to murder and convicted perjurer; and Te Kumete, a Māori warrior transported as a rebel. Their stories, and others like them, reveal a complex society overseen by a governing class intent on cleansing the colony of what was considered to be a burgeoning criminal underclass. This lively book also offers insights into penal servitude in Van Diemen’s Land as revealed through the lived experiences of the men and sole woman transported from New Zealand. Whether Māori men serving time for political infractions, white-collar criminals, labourers, vagrants or the soldiers sent to fight the empire’s wars, each convict’s experiences reveal something about the way in which the British Empire sought to discipline, punish and reform those who trespassed against it.

Bind: paperback

Pages: 284

Dimensions: 150 x 230 mm

Publication Date: 10-11-2017

In his down-to-earth and lively style, Mitchell, who experienced politics first-hand as a long-serving Labour MP for Grimsby, denounces the economic policy of the last three decades as “a long march down Dead-End Street” – a neoliberal experiment that has benefitted the rich and eroded the “good society” with its welfare state and governments’ commitment to the betterment of the people. He charts the development of a neoliberal creed, market-driven and with governments devoted instead to efficiency, cost-cutting and austerity at the people’s expense, and draws parallels between Thatcherism in the United Kingdom, Rogernomics in New Zealand, and all that came after them. Mitchell observes how neoliberalism has failed to deliver on its promises, including that of the “trickle-down” effect, resulting in much greater inequality in both countries. Ultimately, he finds useful lessons in its failure and possible pointers to a fairer society for all.

Bind: paperback

Pages: 116

Dimensions: 210 x 270 mm

Publication Date: 01-06-2017

Sue Bradford is half American and sixth generation Kiwi on her father’s side -- her European missionary genes date from 1820s Northland. Despite her grassroots New Zild twang, she was raised in Auckland by middle class, bohemian intellectuals and survived a childhood made difficult by her brilliant but domineering father. Fast forward through the tumultuous Vietnam War protest era, the 1981 Springbok Tour and 16 years in the invisible community sector where she became, with husband Bill, a loud voice and a highly effective organiser for society’s marginalised, and Sue suddenly and unexpectedly found herself in Parliament. From December 1999, as a hardworking, and much admired Green MP she managed a hefty portfolio and succeeded in getting three member’s bills into legislation, including her contentious bill to amend section 59 of the Crimes Act. Her mainstream political career ended, abruptly and disappointingly, five months after she lost the May 2009 Green Party co-leadership contest. Subsequently she achieved a PhD and transformed herself into Dr Sue Bradford -- activist and academic. Her readable thesis on the need for a major left wing think tank in Aotearoa has been downloaded in full almost 3,000 times and Economic and Social Research Aotearoa (ESRA), the infant left think tank she set up as a result, is growing lustily. Sue Bradford is still evolving but in terms of what matters most, her core social justice principles, she remains constant. -----------------Quotes from Review by Bronwyn Elsmore, Flaxroots Productions - "Jenny Chamberlain’s writing is fluent, polished, and definitely not dry to read.... It needed all those pages to give a full appreciation. Having read them, it leaves me wondering how one woman has fitted so much into her life. My respects to both the subject and the author".

Bind: paperback

Pages: 400

Dimensions: 170 x 240 x 25 mm

Publication Date: 03-07-2017

A story about a cheeky Pukeko, Red Band gumboots and cow poo! Stuck in poo What to do? is a delightful kiwi tale about Red Band gumboots and cow poo - a winning combination for kiwi kids. Follow Luke the Pook, a cheeky young pukeko, in his adventure over the farm wearing his 'borrowed' Red Band gumboots. With its easy rhyme, kiwiana storyline and bright, colourful illustrations, this book is sure to delight children and parents alike.

Bind: paperback

Pages: 28

Dimensions: 210 x 270 mm

The previously untold story of New Zealand’s iconic railway houses, of which more than 3,700 are dotted around the New Zealand landscape. As New Zealand Railways pushed the rail network about New Zealand, opening new country for development, a challenge presented itself to house railwaymen in country areas where infrastructure didn’t exist or was newly formed. Railways only alternative was to construct houses for their employees. Initially part of the Public Works Department responsibilities, eventually an Architectural Branch within New Zealand Railways was formed under George Troup. This development lead to new designs of railway houses, a design that was to become symbolic in the New Zealand landscape. To manufacture these houses, Railways set up a sawmill and special factory in Frankton, kit-setting houses, delivering them by rail as parts packs and ultimately erecting them about the country. As well as far-flung reaches of the railway system, Railways ended up developing “model” railway settlements at places as diverse as Otahuhu, Newmarket, Frankton, TeKuiti, Taumarunui, Ohakune, Taihape, Palmerston North, Napier, Eastown, Kaiwharawhara, Christchurch, Arthur’s Pass, Otira, Dunedin and other places around the country. These houses were supplemented in later years by newer designs. This book covers the housing scheme, sawmill and house factory, the railway settlements, the maintenance programme, the house numbering system, and as a railwayman and his family, what it was like living in a railway house, and how railway families interacted socially, often located in distant isolation from towns and cities. The book closes with Government’s exit from railway house ownership in the 1990s and a chapter on the railway house survivors that have been lovingly restored by current owners. Complementing the text is a lavish selection of black and white and colour images from the era and current day. Railway houses and the nearby railway environment where they were located are extensively featured.

Bind: hardback

Pages: 142

Dimensions: 273 x 213 x 20 mm

Publication Date: 04-09-2017

'We float – we’re not based in one place – we’re floating Islanders. I always come back to theatre, theatre is my first home.’ – Makerita Urale This book celebrates 30 years of Pasifika theatre in Aotearoa/New Zealand. Pacific Underground, Pacific Theatre, The Laughing Samoans, The Conch, The Naked Samoans, Kila Kokonut Krew – the distinctive style and themes of Pasifika theatre have been developed by many individuals and theatre companies in New Zealand. Authors Lisa Warrington and David O’Donnell have interviewed over 30 theatre practitioners to tell the story of Pasifika theatre in Aotearoa from 1984 to 2015. This lively book showcases playwrights, directors and performers whose heritage lies in Samoa, Niue, Fiji, Tonga, Tokelau and the Cook Islands. Extracts from the interviews are threaded throughout the book, providing often entertaining insights into their history and creative practice. While the immigrant experience of living in two worlds is often seen as troubled, the authors suggest that this ‘in-between-ness’ has been turned to advantage in Pasifika theatre to create a unique and often subversive performance phenomenon. Not only is Pasifika theatre a success story within the performing arts in New Zealand, it is also an intriguing case study of migrant theatre that has international resonance.

Bind: paperback

Pages: 284

Dimensions: 155 x 235 mm

Publication Date: 01-11-2017