It’s a clear night. Hamish and Wiremu crack stubbies of Waikato Draught. Burn what’s left from the outdoor season. Words between them are slow in coming. When they do come, they are spare and pointed. Tomorrow they will load rams on the Isuzu into a holding pen made from old pallets, for a man in Weymouth to fatten for Ramadan. It’s a clear night. Orion hurls his belt and sword into a pool of creosote. For Hamish, it will always be The Dipper. The beer is warm. The weed makes them cough. On the town side of the city border gridded fields of diodes glow and hum. – Dropped Pin: Razorback Road, Pōkeno Winner of the Kathleen Grattan Poetry Award 2021, poet Michael Steven’s Night School explores the gap between fathers and sons, the effects of toxic masculinity, how power corrupts and corrodes, and whether weed, art and aroha can save us in a godless world. ‘This is the poet as pilgrim, traveller, and astonished survivor. His sonorous verse has an impeccable lapidary quality, each word fitted like a stone in a wall. Phrase by phrase, sentence by sentence, writing with a lucid precision, Michael Steven patiently builds up his world view, always making sure we are with him, always allowing us to share the understanding.’ – David Eggleton, Judge’s Report Kathleen Grattan Poetry Award 2021

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Publication Date: 25-03-2022

A collection of contemporary creative writing from emerging and celebrated writers. In A Vase and a Vast Sea, poetry and prose rustle against the window, scatter palm fronds across the road and sneak off to the movies on a Tuesday. There are moments of nostalgia blended with dangerous undercurrents and domestic life. This collection is a reunion of writers such as Renée, Maggie Rainey-Smith, Barbara Else, Rata Gordon, Tim Jones, Anahera Gildea, and Adrienne Jansen, and is an essential keepsake of New Zealand literature and a much-loved writing course.

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Pages: 146

Dimensions: 125 x 186 mm

Publication Date: 05-10-2020

"The work of a poet who knows how important people and places are… I kept thinking, too, about life’s voyagings. I found the whole very affecting — touching, tender, rueful at times… And all the more impressive for being unsentimental." - Brian Turner We are unmoored by circumstances that set us adrift from our normal lives into unknown waters. The poems in this debut collection range from the luxury of certainty, through the loss of a partner, to establishing a new life in a different part of the country. But nothing is secure, and a global pandemic again threatens to disrupt the familiar. Through it all, there is reassurance in recognising the perfection in arising and passing away. About the author: Bridget Auchmuty was born in Britain in 1951, came to New Zealand to visit her sister, and never went home. She spent more than thirty years in the Nelson region, where she and her partner lived on ten acres in the Motueka Valley. After his death, she shifted to the Ida Valley in Central Otago, where she lives in a yurt. The core of this collection formed one component of the author’s Master’s degree in Creative Writing at Massey University, and several of the poems have appeared in prominent poetry journals.

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Pages: 88

Dimensions: 160 x 235 mm

Publication Date: 01-10-2020

Oh Christ, a bloody ½ witted student, for purposes of an essay, has just come in to ask me what I and Baxter write verse for, and if we mean what we say, or is there something deeper; could we write better verse in England, or here; or do the critics and professors just read a lot into what’s said that isn’t there? So much. And I have been very rude indeed. – Letter to John Reece Cole, 16 August 1949 Nothing about this excerpt from a letter by Denis Glover will surprise anyone who knows him by reputation. He – and his letters – could be witty, intelligent, alarmingly frank and frequently highly entertaining. A widely admired poet, honoured naval commander, gifted printer and typographer, Denis Glover was founder of the Caxton Press in Christchurch. For 15 years from 1935 he directed a publishing programme that did much to define New Zealand literature for its day, and for much of the rest of the century. His literary work was suspended for war service in the New Zealand Division of the Royal Navy, during which he earned a DSC for his activities in the Normandy landings. But he was also a serial philanderer and prodigious drinker, and his private life increasingly disintegrated around him, more and more publicly. And yet his energy as a correspondent appeared never to wane, and almost to the end he confided openly, prolifically and entertainingly to hundreds of acquaintances and confidants. In this magnificent volume Sarah Shieff presents around 500 of Glover’s letters to around 110 people, drawn from an archive of nearly 3000 letters to over 430 recipients. Many now recall Glover as little more than a misogynistic old fart, a court jester. These letters should give readers the opportunity to revise – or at least complicate – those dismissive categorisations.

Bind: hardback

Pages: 800

Dimensions: 230 x 150 mm

One of New Zealand’s most versatile writers, Fiona Farrell has published four collections of poetry over 25 years, from Cutting Out (1987) to The Broken Book (2011). Noun, verbs, etc. collects the best work from these books, and intersperses them with other poems thus far ‘uncollected’. The themes are wide ranging: political and personal, regional and global, including love and birth and death, war and emigration, history and landscape. The poems mix lyricism with the flat and plainspoken mode of Kiwi vernacular; they channel voices infrequently heard in poetry in traditional song and ballad forms. They are well crafted but unpretentious, jokey yet illuminating, self-deprecating but wise, sad and funny and deeply human. Fiona Farrell’s poems look light and lyrical and tidy on the page, which is the way they manage the storms of feeling that race along their lines. These are poems that know how much we yearn for terra firma yet how often we must deal with broken things. They care about family. They speak against injustice. They also know how to rescue the heart and let it sing. – Bill Manhire

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Pages: 212

Dimensions: 130 x 198 mm

Publication Date: 29-10-2020

The poems in Sinking Lessons portray the vitality of a world full of things and beings we too often disregard, using language that vibrates in harmony with the lively tales it tells – from small, everyday events to stories of shipwrecks and strandings, resurrections and reanimations, arctic adventures and descents into the underworld. The cast of characters includes members of the poet’s family alongside heroes from myth and literature, such as Orpheus, Scheherazade and Frankenstein’s Creature. And crowding in upon these, at all times, a multitude of non-human protagonists: sun and stars, wind and water, mud and sand, body fluids, decaying matter, chemicals organic and inorganic, and a great many fishes and birds and beasts. Sinking Lessons is the first collection of poetry from Philip Armstrong, winner of the 2019 Kathleen Grattan Poetry Award.

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Pages: 54

Dimensions: 150 x 230 mm

Publication Date: 07-08-2020

One of New Zealand’s most prominent, well-loved and accessible poets Kevin Ireland’s words pop like seaweed pods, whether he is: honouring friendships — making sourdough bread — grinning at the weather gods — wondering why he slept in — marvelling at the miracle of a shower — giving advice to writers — analysing chance remarks and philosophical paradoxes — celebrating the benefits of a failing memory — circumnavigating childhood, ageing and death … or just having fun, which he does refreshingly often. Shape of the Heart sparkles with poems that take us from brain to heart, sometimes detouring to unexpected places (such as the belly button), but most often in a direct and delightful line.

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Pages: 64

Dimensions: 140 x 210 mm

Publication Date: 12-05-2020

From Sean Macgregor's lounge occupied by stoned youths, to three bank robbers en route to the Penrose ANZ, Michael Steven's second collection presents his clear, clean vision of 'the lifers' who inhabit these islands and beyond.A generation's subterranean memories of post-Rogernomics New Zealand are a linking thread, in the decades straddling the millennium, while other poems echo with the ghostly voices of the dead, disappeared and forgotten. Steven's writing neither patronises nor romanticises in its intricate depictions of small worlds of violence, despair, love and struggle. Always it refers back to the redemption of human connection as its magnetic pole.Dawn is a fire show of gold and hot white, blasting the darkness off the isthmus.In two hours, I will land in your city.I am made of atoms and they are dancing.

Pages: 92

Dimensions: 150 x 230 mm

Publication Date: 01-03-2020

A mysterious doppelgänger sister, a newborn baby, a boy in a mural, a detective, a former lover, a student stalker … are they real or imagined? Building on Diane Brown’s tradition of extended poetic narratives, Every Now and Then I Have Another Child is an inventive and heartfelt meditation on motherhood, the creative impulse and the blurred line between imagination and reality. This delightful, evocative poetic narrative wafts between the truly surreal and the ‘everyday’ absurd.

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Pages: 164

Dimensions: 150 x 230 mm

Are you fed up with that one person who posts way too much personal info on social media? Are you worried your friend is taking the hipster look too far but don’t know how to tell them? Do you need a poem for when your satnav crashes and you start catastrophising that you’ll never make it home again? Yes? Then Poetry for Millennials is the answer to all your woes, offering poetry from some of our greatest literary figures as an antidote to help laugh off the most common millennial problems. From the joys of internet dating and house-shares to digital detoxing and growing up, this book will help make you more resilient to what’s thrown your way and show the previous generations that you definitely aren’t a snowflake *after wiping away your tears*.

Bind: hardback

Pages: 128

Dimensions: 127 x 170 mm

Publication Date: 08-08-2019